The Lion roars, his vassals fear and tremble,
But if he comes where they do all assemble.
They stand examinated as they say
Thus, tyrant like he chooses out his prey.
Yet though his subjects at his mercy lies,
Yet he’s a slave unto his love’s bright eyes.
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
Being most indulgent to his lioness,
Yet riles her if he knows she amiss.
For when he smells the panther’s strong perfumes
That she hath broke her faith he then presumes.
But if she wash her in some crystal streams,
That she is false to him he never dreams.
Such noble jealousy all must commend,
In this the elephant doth so transcend.
But the wild, hair-brained and lascivious Ass
All creatures as in jealousy doth pass.
For he doth watch her young ones when they fall.
Then to prevent all fear he bites off all
He’s surely proud of’s ears and fears the horn.
When ‘tis wittol is the people’s scorn,
Then by these stories you may plainly see;
The noblest mind is from suspicion free.
And by like consequence it comes pass;
None is so jealous as the mad-brained Ass.
Of the Lion and the Ass
By Desean Connors
The concepts developed in this manuscript derive from the emblem about a lion, a fox, and an ass. Pulter is quite familiar with this fable as she explored the dynamic between the fox and the lion prior to this piece. The initial story portrays the Lion as greedy and fierce; a tyrant, while depicting the ass as pathetic yet fair. (“Which done: the lyon bad the asse, the spoile in partes to lay. Then he with greate regarde, three partes alike did share”; Whitney, G., (1586). A choice of emblemes, and other deuises) Pulter maintains some of the traits of the creatures, but alters major ones as well – leaving the Lion as a tyrant yet providing it with a noble mindset which contrast with the original emblem, or allowing the ass to remain pathetic and, now, jealous.
A lion, a fox, and an asse by Esope
“Aliena pericula, cautiones nostrae.[Figure: [Figure: woodcut of a lion sitting beside a large pile of game including a stag, a fox sitting beside a small pile looking up at the lion, and an ass lying behind them dead]]
THE lyon, asse, and foxe, goe forthe to hunte for pray:
Which done: the lyon bad the asse, the spoile in partes to lay.
Then he with greate regarde, three partes alike did share:
Wherat, the lyon in a rage, the asse in peeces tare.
The foxe he charged then, for to performe the same:
Who, all the beste, vppon one heape, did for the lyon frame:
And littell of the worste, did for him selfe reserue:
Then beinge ask’d, what taughte him so vnequally to carue?
This spectacle (quoth hee) which I behoulde with care:
Which showes, those happie that can bee by others harmes beware.”
(Topsell, E., 1572-1625?. (1607). The historie of foure-footed beastes… by edward topsell London, Printed by William Iaggard. Retrieved from https://colorado.idm.oclc.org/login?url=https://search-proquest-com.colorado.idm.oclc.org/docview/2240889773?accountid=14503)
The Cuckold and the Ass
by Desean Connors
A frequent depiction of cuckolds illustrates the subjects as bearing horns on their heads. So, Pulter’s reference to the Ass fearing the horn most closely addresses this aspect of a cuckold. This concept of fear and lust align with the features of an Ass as an individual, wild male of the species typically holds dominance over a collective of females. Further, when a female becomes impregnated by the aforementioned male, the alpha observes the pregnant female Ass until her offspring is born. Then, after the birth, if the female produces another male, the alpha castrates him to avoid future competition. Simply, he removes the valuables of his own youth to avoid being made a cuckold in the future.
(King of the Goats: Satire on Cuckolds by Baccio Baltini)